Theresa Wong Theresa Wong

Upcoming European dates:

Residency at the Emily Harvey Foundation, Venice, Italy: Jan 10 - Feb 12
Solo Performances:
Feb 1: Masterclass and performance, Fabrica, Treviso, Italy
Feb 9: Grabinski Point, via grabinki 2/g, Bologna, Italy 19:00
Feb 11: Cavana dei Miracoli / Studio Morgan O’Hara, Campo dei Miracoli, Venice, Italy 16:00
Feb 13: Duo w/ Francesca Naibo, Spazio Pontano, Civico 35, Milano, Italy 21:00
Feb 16: La Fine Gueule, Paris, France (presented by Infuse) 21:00
Feb 23: Raum 013, Progr, Waisenhausplatz 30, Bern, Switzerland 20:00
Feb 26: MAO, Torino, Italy
Mar. 3: Echoraum, Vienna, Austria

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Theresa Wong Theresa Wong

She Dances Naked Under Palm Trees - out on First Hand Records

I'm over the moon to be part of Sarah Cahill’s newest release, "The Future Is Female - Vol.2 THE DANCE", out today on UK's First Hand Records. This album includes my piece, She Dances Naked Under Palm Trees commissioned by Sarah and sumptuously recorded and produced by Matt Carr at St. Stephen's Church in Belvedere, Tiburon. What a gift it has been to bring this piece to life with Sarah!

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Theresa Wong Theresa Wong

Other Minds Festival 26 @ The Great Star Theater in SF

photo: ebbe roe yovino-smith

Guillermo Galindo & Raven Chacon

What a joy to kick of Other Minds 26 with these beautiful souls! Backstage with Raven Chacon, Guillermo Galindo and Mari Kimura at the historic Great Star Theater in Chinatown. Deepest gratitude to Charles Amirkhanian, Blaine Todd, Liam Herb, Joseph Bohigian, Mark Abramson, Jacob Felix-Heule and all the folks working behind the scenes at Other Minds for a terrific festival. Deep thanks also to Giacomo Fiore and San Francisco Classical Voice for this write up about the Other Minds 26 opening night performances.

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Theresa Wong Theresa Wong

Flatlands - a film about redlining in West Berkeley

My short film, Flatlands, is now up online as part of Thingmajig.org’s Redline Redefined project - an ongoing artistic exploration of the effects of the US Federal Government’s redlining policies of the 1930’s. Many thanks to curators Edward Schocker, Erica Lee, historian Richard Schwartz, and all the participating artists who are beginning a discussion that I know will continue to be amplified. Check out all the projects here in this interactive map of the East Bay.

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Theresa Wong Theresa Wong

Practicing Sands - out on fo'c'sle!

Cover of Practicing Sands, an album by Theresa Wong

Practicing Sands is officially out! Thank you to all the folks who have supported this album and especially to all the people along the way who have helped in developing this work, including Civitella Ranieri Foundation for time and space way back in 2012, to Fred Frith for continually inspiring and giving ears to this project, to Myles Boisen for the artful mastering and guidance on the mix, and to Maggi Payne, Adria Otte and Sean Meehan for recording technique tips during the thick of lockdown in 2020. Take a listen and purchase your digital download or CD at focslemusic.com

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Theresa Wong Theresa Wong

Other Minds Podcast

My conversation with Joey Bohigian is up now on the Other Minds Podcast, where I talk about the importance of physicality in performance, just intonation, genetic memory, and my new album Practicing Sands. I’m looking forward to being a part of this year’s festival lineup at the Great Star Theater in SF! More info at otherminds.org

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Theresa Wong Theresa Wong

Sound/scapes at the Asian Art Museum SF

Here are video documentations of my Sound/scape performances at the Asian Art Museum of San Francisco. The June performance is inspired by the works of Filipino-American artist Carlos Villa. The July performance, In the Cave of Guanyin, is inspired by the Chinese manifestation of Avalokiteshvara, the bodhisattva of Compassion. The final Sound/scape, Skipping Stones and Speaking Pines, is performed with Kanoko Nishi-Smith and takes inspiration from the paintings and brushwork of Uragami Gyokudo, Tokuyama Gyokuran, and Chiura Obata. Deep thanks to Janet Oh, curator, Jenny Chu and Steve Kaye for video, and Norman Teale for the audio recordings.

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